New Old Rocker’s Neighborhood

 

 

These are my entries for this Christmas e-card competition. If you like my drawings please, please vote for me. Thank you!

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My last project at uni was to create book covers for Alice in Wonderland (Lewis Carroll) and Perfume (Patrick Suskind) for the 2009 Penguin Design Award. Two book covers in two weeks is a lot of work but I got it done, albeit with some blood (got to watch those craft knives) and tears.

 

Here's my final cover for Alice, which my second and third year tutor selected as one of their two favourites out of the year (who knows why).

 

Here's a discarded idea for Alice that had quite liked.

This is a must see conference for everyone around LA interested in the status quo of computational design techniques and urban design sensibilities. To put it in a Hollywood term: A Blockbuster!

First, we're happy to announce that the team has identified and fixed the issue with the YouTube conduit; you can now find and add videos from YouTube to your library and posts. As always, thanks for your patience!

The other news we have today is about a new addition to the Six Apart family: TypePad Micro, a new free level of TypePad that is streamlined for microblogging. We see a new form of blogging emerging that lives between the quick status updates of Twitter and Facebook and the long-form posts of "classic" blogging; TypePad Micro is designed to meet that need. You can read more about TypePad Micro in Chris Alden's post on the Everything TypePad blog.

A lot of the new capabilities we've added to TypePad this year were actually inspired by some of the best things about Vox: favoriting, member profiles, a dashboard to follow other bloggers, and easy ways to post content from other social media sites. But the things that make Vox different from TypePad are still there: Vox has always been -- and still is -- the best place for "friends and family" blogging, where you're in control over who sees what. TypePad, on the other hand, is built for the blogger who wants, no, craves, attention.

Do you have a passion or interest you want to share with people beyond your Vox neighborhood? If so, we'd love it if you tried out TypePad Micro. Maybe you've always wanted to start that obsessive blog that's just about waffle restaurants. Or want a place to share videos of your favorite band (Jonas Brothers, anyone? Anyone? ...). TypePad Micro's great for those topic-specific blogs. Take it for a spin and let us know what you think.

On the Vox front, our designers are working on some cool new themes (coming soon!). We'd also love to hear your thoughts about where we should take Vox in the coming year. What are the key things you'd like to see for Vox? If you've had a chance to use TypePad this year, what are the features there that we should bring over to Vox? And, if you're thinking big thoughts, how could we connect the Vox and TypePad communities in order to bring together bloggers and their shared passions? Your feedback is really important to us, so please leave a comment here, or shoot me a message.

And again, thanks for your patience as we found and fixed the YouTube bug!

~ daisy

 

As many of you have noticed, the YouTube Conduit is not working. I am so sorry about this; I know how frustrating it is.

The team is looking into how to get this fixed and I will update you as soon as I hear something. In the meantime, not all is lost... There is a work-around for posting videos.

When you're in the Compose Screen, just click on "embed." Ignore the fact that it says "Widget" before everything because you can definitely use this to embed videos as well. You'll just need to input the embed code from the video, enter a title (if you want) and hit OK.

It might not show up perfectly in your compose screen, but when you hit "Save," your video should appear just the way you wanted it to.

Hopefully this will allow you to keep posting videos while we figure out what's happening on our end.

As always, thanks for your patience.

~daisy

I realised that if there was ever a time for me to update the shop, just before Christmas would be it.

 

 

I have new prints in a range of sizes and prices. Soon I will have Christmas cards and copies of Meow Magazine for sale as well. Watch this space. :) 

Can you tell I'm a Londoner?

These are for the new issue of the zine the students on my course produce (Meow Magazine). This month's theme is I Love London so this was what I did. I'm also on the editing team this year and we have big plans for it.

Go forth and fill your libraries with media.

Seriously, thanks to everyone for being so amazing and patient. You are the reason I love Vox.

~daisy

Topology is the main driving force of the design of the Austrian pavilion, a major area of mathematics concerned with spatial properties that are preserved under continuous deformations of objects, for example deformations that involve stretching, but no tearing or gluing. It emerged through the development of concepts from geometry and set theory, such as space, dimension, and transformation.

The main qualities for the project formed the mainframe of the topological surface. The software output consisted of an extensive array of subtly varying surface conditions. According to their performative behavior the population of over one hundred individual entities where scrutinized for their fitness according to different criteria, such as the potential to fulfill the program, the performance as structural entity and the affect generated by its appearance. This process reduced potential candidates to a very small number. Finally this candidates ran trough a series of algorithms (various remeshings, subdivisions, optimizing the size of the spatial pockets etc.) which eliminated all candidates but one. 

This technique can be described as an evolutionary process driven by a series of intensive forces, such as the specific compartmentisation of the pouches, the loadbearing qualities of curvilinear conditions and the allover sensual experience of the space. The numerous explorations and investigations of SPAN into the nature of topological bodies, throughout the recent years, served as basis for the design process. One of the results of these investigations was a series of models only dedicated to seamless, continuous circulations within architectural bodies and apertures in complex curved geometries. These two fundamental architectural conditions, opening and circulation, are discussed in the project of the Austrian Pavilion for the Shanghai Expo 2010 in an alternative way. 

The lecture describes the design process of the Austrian Pavilion for the Shanghai Expo 2010, as well as the construction method. The lecture depicts the advanced fabrication methods involved in the construction of the Project, such as the use of simulation softwares, building information modeling and CNC fabrication.

This was my first project at uni. Everyone was given colour to research, to be inspired by and to create a piece capturing the essence of. Mine was scarlet and I went down a little red riding hood avenue. I'm getting very into the darker side of fairytales and their prevalence in our culture. This bit in the Guardian about fairytales is definitely worth a read.

Anyway, ironically for a project about scarlet I draw it all in black and white. I carefully cut red riding hood out so that last red page would show through all the way to the first.